Color Grading
In-person at our facility in Brooklyn, fully remote, or hybrid.
- Experienced feature colorists
- DI theater with 12.5 foot screen
- DCI 4K resolution (4096×2160) LUT-calibrated projector
- Rec. 709 or P3 workflows
Dailies
Via nightly drive drop in Brooklyn or cloud upload.
- Editorial dailies for Avid, Premiere, Final Cut Pro, DaVinci Resolve
- Web dailies through our in-house system or Frame.io
- Almost any camera format
- Audio syncing
Screening Room
- Convenient Brooklyn location
- 12.5 foot screen, DCI 4K resolution
- Room seats 12 and features 8 plush power recliners
- Direct playback of DCP, ProRes, DNxHD, Blu-ray, many others
DCP Creation
Digital cinema package authoring with turnaround as fast as next-day.
- 2K or 4K resolution
- Encrypted or unencrypted
- DCDM creation
- Short-run duplication
- Online ordering through our MakeDCP service
Feature Delivery
End-to-end feature film delivery in as little as week.
- DCP creation, including accessibility features and alternate audio
- Digital Source Master (DSM) creation
- ProRes 'mezanine' files
- Pan & scan creation
- Opening and closing credits
Transcoding
To ProRes, DNxHD, DPX, H.264/H.265, many others.
- Alexa ARRIRAW, ProRes, DNxHD
- Sony X-OCN, RAW, XAVC
- Red/Epic R3D
- Blackmagic RAW
- Canon XF-AVC, Cinema RAW
- Phantom CineFile
- Specialists in unusual cameras, formats, workflows